This feature was conceived as a foray into the hearts/minds of Kenyon’s finest artists through the pages of their sketchbooks. This week, we talk with Caroline Del Giudice ’15.
I first saw Caroline’s work at the installation show in December 2014. Her piece, “Revolution is Not a Bed of Roses” caught most people’s attention. Constructed almost entirely of metal and standing over six feet tall, the roses were hard not to stare at. The piece, about her time in Cuba, is one of the most extravagant and beautiful installations I’ve seen at Kenyon, but it’s certainly not the only fascinating structure among Del Giudice’s work.